Abstract:
The article contains the memoirs about Borys Necherda on the material of which a line is traced around the model of the writer's memoir biography. It is formed in the light of corporate recollections which enabled reflecting the essence of the author's self-consciousness defining his psychological states, emphasizing his preferences and tastes that, to different extent, affected the author's poetry and determined his individual style. The attention is focused on the writer's participation in the movement of the 1960s and his creative contacts with its representatives. In the theory of literature such memoir materials are valuable because they give an opportunity to detail author's biography, to avoid the temptation to hyperbolize his name or to place obstacles in the way of idealization. The principle of collaging allows to focus on heterogeneous data set the non-distorted image of B. Necherda in the epoch context, to trace his creative evolution, the circle of communication, to distinguish his individual features.
